Showing posts tagged #Women’sHistoryMuseum. Go back to the main blog page.

Wide Rainbow is non-profit contemporary art after school program. They connect artists with the community of underserved neighborhoods throughout New York, focusing on hands-on workshops led by the artists, as well as artist and curator-led exhibition walkthroughs of galleries and museums.

Next Monday, May 14th, Wide Rainbow will be celebrating its third year and honoring the 85+ artists who have been part of the program. This fundraiser gala will be their first ever, along with a host of friends and family, at 99 Scott Ave. in Brooklyn.

Tickets for the event start at $250 a seat which includes a menu by Chef Dria Atencio along with a mixology menu by the one and only Arley Marks. Dev Hynes of Blood Orange is slated to give a private performance for gala attendees as well. The gala is hosted by Maia Ruth Lee, Lola Kramer, Elizabeth Jaeger, Diamond Stingily, Eliza Ryan, Morgan Connellee, Ashley Gail Harris, Bevin Butler.

Artist Dawn Kasper during a workshop with students from Girls Prep Middle School of LES?

Wide Rainbow Fundraiser Gala
Monday, May 14th
99 Scott Ave Brooklyn, Ny 11237
7pm Cocktails, 8pm Seated dinner
http://widerainbow.org/wide-rainbow-gala-2018/
rsvp@widerainbow.org

Before their assassination, Olga, Tatiana, Maria, and Anastasia Romanov led stilted lives. Existing within a family patriarchy and with the threat of a violent revolution, they had little control. Through the artifacts they left behind, a myth was built about their reliance upon each other. Their friendships are named after their self-given acronym, OTMA. The legend of the Grand Duchesses inspired Women’s History Museum, the moniker of Amanda McGowan and Mattie Rivkah Barringer, to create OTMA’s Body,

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Living between the spaces of art and fashion, the show functions as a boutique. It contains all the aspects of a clothing store, from the clothing racks to the mannequins to the self-referential decor. With their collage aesthetic, Women’s History Museum augments those elements. Using methods similar to Lou Dallas and Ser Serpas, all of the objects are made from recycled materials found during McGowan and Barringer’s travels. With those found supplies McGowan created her pieces, and Barringer created hers. They collected their finished work and produced a cohesive product. Priced like designer department stores, the objects in the exhibition can be bought and then removed by the buyer. The purchase of the products from McGowan and Barringer’s collaborative process embodies the idea of OTMA. The designers end up working like the four sisters, each has a distinct personality but when brought together they become one body. A body taken apart by the public.

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Open now until September 16, “Prick up your Ears” is a multi-media enterprise exploring the “ontology of fake” through self-examination of the artists’ own role in the culture industry. Curated by Taylor Trabulus, the exhibition is not so much an inter-communicative presentation of artists working in different mediums as much as it is a pronouncement of their individualities, pasted over the art world’s marriage to the economy and identity. As a deliberate act of incohesion, “Prick up your Ears” appropriately introduces LA to many New York-based artists, and establishes their works as unique in relation to one another, but sharing in the common understanding of the culture-capital pipeline.
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KARMA INTERNATIONAL
“Prick Up Your Ears”
Curated by Taylor Trabulus
4619 W Washington Blvd.
Los Angeles, CA 90016