Showing posts tagged #Kate Steciw. Go back to the main blog page.

TC_PARTY (staysafe)
Please join Topical Cream Thursday, October 19th for the closing event for our inaugural auction.
Topical Cream is a platform for women, femmes, and gender-nonconforming individuals in contemporary art. Since 2013, the New York-based not-for-profit has supported a community of artists, writers, designers, and technologists through digital publishing and public programming initiatives. With an advertising-free model, fundraisers like this one are vital to the digital platform’s continued growth.

Life Support Party
Thursday, October 19
9-12
China Chalet
47 Broadway, New York, NY 10006
Supporter Tickets $15
Tickets will be available at the door.
VIP Entry with gift bag, drink $50

Kate Steciw and Letha Wilson continue to reconsider photography as a medium via digital imagery with their coinciding solo exhibitions at Galerie Christophe Gaillard in Paris.
The works collectively respond to the incorporeality of digital life breaking from the repetitive linear photographic works which were very much in style during the early aughts.

In the front gallery, Steciw’s objects morph into satin spaghetti, coiled on the gallery floor. The works are digitally altered, alluding tools of photoshop. Stewics’s digital collages hint at the new role of imagery as a material of mass production plays. The industrialization of imagery and the software used to alter that imagery replaces classical sculptural material.

kate_steciw_ks007_300

kate_steciw_ks011_300

Featured in the gallery’s main space are the works of Letha Wilson. Surface Moves, continues the discussion of photographic relevance. In the center of the gallery two large spherical steel pipes rest on the rippling pleats of a twenty-gauge steel print of a landscape. Wilson expounds on the narrative qualities of these tactile works, with titles such as Rabbit Ears Pass Cement Fold (Double Angle I), 2016 and California Concrete Ripple Tondo, 2016. The man-made industrial materials used in Wilson’s work next to an image of a serene landscape create a natural disruptions for the viewer. These distortions are at once natural and combative as they reveal Wilson’s reconsideration not just of the presentation of photography but of the convergence of the natural and the technological as well.

letha_wilson_lw042_300

letha_wilson_lw036_2_300